Can you ever really know someone? Can you ever really break through the civilized and social presentations each person puts...
JoinedNovember 15, 2018
Articles50
The structure of a fairy tale and the structure of a horror film are not as oppositional as it would...
‘Halloween Kills’ is bold. It isn’t safe. It isn’t expected. While ‘Halloween’ (2018) took the cherished characters and the overall...
What made the original ‘The Slumberparty Massacre’ so special, and initially misunderstood, was the interlacing of feminist themes within a...
Alone With You, the new film by Emily Bennett and Justin Brooks, is an exercise of cinematic limitation. Everything within...
Glasshouse begins with a soaring shot revealing a small garden within a vast wasteland of nothingness. From this moment forward...
In a word Knocking, the feature-length directorial debut by Frida Kempf, is uncomfortable. It is uncomfortable in its pacing, it...
The very opening scene of Offseason, the new film by Mickey Keating, promises to be present something very special and...
I’m not sure any of you out there can relate, but for myself being a horror fan feels like an...
The Feast, the new film from director Lee Haven Jones, is not here to comfort you. In fact, it is...
I don’t usually start a review this informally, using that pesky first person and all; inserting myself into the review....
In a word Knocking, the feature-length directorial debut by Frida Kempf, is uncomfortable. It is uncomfortable in its pacing, it...