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Can you ever really know someone? Can you ever really break through the civilized and social presentations each person puts...
JoinedNovember 15, 2018
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The structure of a fairy tale and the structure of a horror film are not as oppositional as it would...
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‘Halloween Kills’ is bold. It isn’t safe. It isn’t expected. While ‘Halloween’ (2018) took the cherished characters and the overall...
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What made the original ‘The Slumberparty Massacre’ so special, and initially misunderstood, was the interlacing of feminist themes within a...
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Alone With You, the new film by Emily Bennett and Justin Brooks, is an exercise of cinematic limitation. Everything within...
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Glasshouse begins with a soaring shot revealing a small garden within a vast wasteland of nothingness. From this moment forward...
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In a word Knocking, the feature-length directorial debut by Frida Kempf, is uncomfortable. It is uncomfortable in its pacing, it...
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The very opening scene of Offseason, the new film by Mickey Keating, promises to be present something very special and...
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I’m not sure any of you out there can relate, but for myself being a horror fan feels like an...
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The Feast, the new film from director Lee Haven Jones, is not here to comfort you. In fact, it is...
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I don’t usually start a review this informally, using that pesky first person and all; inserting myself into the review....
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In a word Knocking, the feature-length directorial debut by Frida Kempf, is uncomfortable. It is uncomfortable in its pacing, it...
