Tim KC Canton·Fest & ConsInterviewsPanic FestDirector Ryan Prows Talks About the Challenges of Making IFC Midnight’s ‘Lowlife’
85%downrightcreepy·Fest & ConsPanic FestReviewsPanic Fest: ‘Mom And Dad’ is a Delightfully Immature Exercise in Chaos
77%downrightcreepy·Fest & ConsPanic FestReviewsPanic Fest: ‘Charismata’ is a Sinister Slice of Crime Fiction
85%downrightcreepy·Fest & ConsPanic FestReviewsPanic Fest: Hatchets Are Buried and Madness is Exhumed in ‘Victor Crowley’
90%Adrian Torres·Panic FestReviewsPanic Fest: ‘Lowlife’ Is One Hilarious Blood-Splattered Gut-Punch Of A Debut
81%downrightcreepy·Fest & ConsPanic FestReviewsPanic Fest: ‘The Cured’ Takes Viewers To a Dark Place Not Easily Forgotten
65%downrightcreepy·Fest & ConsPanic FestReviewsPanic Fest: ‘They Remain’ is a Slow Burn Film With a Stellar Lead
55%Adrian Torres·Fest & ConsPanic FestReviewsPanic Fest: ‘Replace’ Is A Frankenstein’s Monster Of A Film And Suffers For It
60%Adrian Torres·Fest & ConsPanic FestReviewsPanic Fest: ‘Mohawk’ Shows Reverence For History Through A Muddled Story
50%downrightcreepy·Fest & ConsPanic FestReviewsPanic Fest: ‘Vidar the Vampire’ is Uneven, Dark, Comedic Trip
